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Cinema Releases -  March 23, 2001

15 Minutes

**

Certificate 18. 120 minutes. Written and directed by John Herzfeld. Starring Robert DeNiro, Edward Burns, Melina Kanakaredes, Karel Roden, Kelser Grammer, Avery Brooks.

 

Miss Congeniality

***

Certificate 12. 109 minutes. Directed by Donald Petrie. Written by Katie Ford, Marc Lawrence, Caryn Lucas. Starring Sandra Bullock, Michael Caine, Benjamin Bratt, William Shatner, Ernie Hudson, Candice Bergen.


For a movie about television, "15 Minutes" spends a lot of time on the wrong channel. The plot involves two Eastern Europeans who go on a killing spree across New York City with a video camera; they're spellbound by the American newsmedia's fascination with violence and the way talk shows are so forgiving to the whiny and stupid, and figure they could cash in on their footage, and get out of trouble by pleading insanity in court, and then, once sentenced, proving to doctors that they're sane, to get released. The story of these guys is involving, and yet the film spends more time with the cops chasing them, whose scenes are nothing but the boring procedural details of an investigation -- useless in any movie, more so when we've witnessed the crimes, and already know everything the cops are trying to find out.

The murder scenes are graphic and brutal, and made more disturbing by the fact that the driving force behind them is the foreigners' conviction that, hey, we can do this, it's America. The idea that you can make a living in the USA by waiting for people to exploit your sins and plaster them all over the TV is horrific enough when we see the TV, worse when we see the sins.

But what's with all the scenes of Robert De Niro and Edward Burns trying to find the crooks? My estimation is that this stuff takes up more than half the movie, and yet it has the flavour of a goofy subplot. De Niro plays a loser of an ageing cop who plods around with the body language of a bad stand-up comedian, puts whisky in his coffee and makes extra money by letting a tabloid TV producer (Kelsey Grammer) film his arrests. Burns is a far too idealistic young kid who keeps shouting hopeful suggestions De Niro responds to with 'wise' advice that goes beyond mature and shows him to be a cynical sell-out.

These two make such a useless team that the cop story seems to be about the inefficiency of the police; and yet in the latter part of the picture, we see them presented as heroes who the criminals are able to evade only because of their cunningly evil ways. It all builds to a gun-wielding climax on a pier that's not only ludicrous, but so disgustingly macho and right-wing that it puts "Dirty Harry" to shame.

Indeed, as "15 Minutes" progresses it seems less about America's mass media sending the country down a slippery slope than about pandering to right-wing prejudices -- we see them damn defence lawyers gettin' off crooks, them damn foreigners pollutin' the streets, them damn liberals not knowin' what's what. Like, whatever.

.

"Miss Congeniality", on the other hand, is a movie that seems to have no potential at all and still works remarkably well. It covers familiar territory, being a big-budget fish-out-of-water undercover-agent comedy, and stars Sandra Bullock, who has been in nothing but irritating movies for the last five years. And yet it moves along nicely, avoiding a lot of the stupid, obvious jokes I expected it to go for -- even though it's set around a beauty pageant, for example, with FBI agent Bullock having to enrol as a contestant to infiltrate the arena and locate a killer, when it takes to satirising the girls on display the jokes are affectionate and believable, rather than easy pot shots making them out to be anorexic airheads. Bullock is charming, too; the clumsiness with which she reacts to hardcore glamour training is well-timed and endearing, and, as in the great "Speed" (1994), she delivers bitter one-liners like they're really just rolling off her tongue. She's cute, she's attractive, she doesn't come across as dumb, and because she works, so does the picture.

COPYRIGHT© 2001 Ian Waldron-Mantgani


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