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American Pie

**1/2

Cinema Releases - October 8, 1999

Rated on a 4-star scale. USA. Directed by Paul Weitz. Written by Adam Herz. Starring Jason Biggs, Chris Klein, Eddie Kaye Thomas, Thomas Ian Nichols, Eugene Levy, Seann William Scott, Tara Reid, Shannon Elizabeth, Jennifer Coolidge, Natasha Lyonne, Alyson Hannigan.


"American Pie" exploits the appeal of a raunchy teen comedy and tacks on politically correct sentimentality. Its four main characters, 17-year-old guys who've made a pact to lose their virginity before high-school graduation, enjoy talking dirty and thinking cynically, but make some cornball speeches about respecting everybody and not becoming obsessed with sex, so we can feel like we've seen something meaningful. Give me a break.

Kevin (Thomas Ian Nichols) is the kid who urges his pals to make the agreement, and even though he has no idea how to act around her, he's the only member of the quartet with a steady girlfriend. We spend more time, however, with Jim (Jason Biggs), whose father (Eugene Levy) keeps attempting the impossible task of talking to his boy about the birds and the bees. Along for the ride, so to speak, are insecure sportsman Oz (Chris Klein) and cool, mochachino-drinking Finch (Eddie Kaye Thomas).

Despite their sermonising, we know these guys are going to bed some honeys before the credits roll, but since we're in the era of "There's Something About Mary", "The Spy Who Shagged Me", "Very Bad Things" and various other comedies that aim to out-gross-out each other, outrageous humiliation must pave the way. Jim gets caught in compromising positions with a gym sock and the eponymous apple pie. Kevin's girlfriend decides to storm out on him because of a throwaway comment she deems offensive, as does the young lady Oz has his eye on. Finch gets his coffee laced with laxatives, and you already know what that's gonna lead to in this kind of movie.

There are, I must admit, some terrific moments: Jim's awkward conversation and premature ejaculation with a feisty foreign exchange student is broadcast over the internet. A girl tells fascinating stories about the possible uses of a flute. The guys poke light-hearted fun at each other. But even my laughs during "American Pie" were shaded by an underlying feeling of contempt for the rest of the movie. The gags listed in my previous paragraph, for example, are embarrassing rather than funny. And in the same way that it treats the should-be devious plot, the film uses phoney cosmetic sweetness to gloss over its exclusion and mocking of certain social groups.

On a more fundamental level, the premise is too implausible. These lads are supposedly 17, and yet not only are they all virgins, but are totally clueless around girls, and don't even have any female friends. They're equally unsure about their feelings for their surroundings, despite having had a lifetime to get acquainted with them. None of these teenagers have so much as a facial blemish. "American Pie" doesn't exist in the real world, yet attempts to be perceptive; doesn't paint a convincing picture of teenage sexuality, yet attempts to discuss the issue seriously.

The cast are appealing, with the four aspiring cherry-poppers interacting skilfully. Eddie Kaye Thomas is the star among them, an intriguing, intelligent air present in all his movement and speech, and loveable Chris Klein keeps up the good work we saw recently in "Election". Of the adult performers, Eugene Levy is so hilarious as Jim's dad one wonders why the character wasn't given his own movie.

"American Pie" is not a bad film, it just does a lot of bad things. While a horny-youngster pic like "Porky's" has no morals, its cheerful admittance of the fact is better than this one's defective trickery. Virgins will like it, though, laughing just to show they get the jokes. Certain adults will enjoy how it's not a typically dumb high-school movie, and perhaps also feel it gives them insight into today's American youth. If they are correct, the country is in worse shape than expected.

COPYRIGHT© 1999 Ian Waldron-Mantgani


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