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Atlantis: The Lost Empire

***

Cinema Releases - October 19, 2001

Rated on a 4-star scale. Certificate U. 95 minutes. Directed by Gary Trousdale, Kirk Wise. Written by Tab Murphy; from a story by Tab Murphy, Kirk Wise, Bryce Zabel, Jackie Zabel. With the voices of Michael J. Fox, Cree Summer, James Garner, Jacqueline Obradors.


Not many Disney cartoons begin with quotes from Plato, but "Atlantis: The Lost Empire" does. It's also unusual for these movies to be influenced by the Japanese style of anime, but again, "Atlantis" defies convention. It is imaginative, experimental and above all clever; maybe Disney is about to return to form.

The main player here is a young museum curator voiced by Michael J. Fox; his grandfather was an explorer who loved to harp on about the lost city of Atlantis, and Fox has inherited the obsession. Early on in the picture one of the grandfather's old colleagues ends up giving our hero the funding to go on an expedition to find Atlantis, and away he goes, accompanied by a colourful cast of characters that includes a tough general (James Garner), an eccentric old cook (Jim Varney), a crusty old secretary (Claudia Christian), a solid army doctor (Phil Morris) and a young mechanic (Jacqueline Obradors).

The first half of the film follows the quest for the city, which requires imaginative reading of old texts and expert feats of engineering; the second half involves the fading joys of Atlantis, which seems like a beautiful utopia inhabited by wonderful people, but whose life force is actually fading.

The animation is beautiful, especially when we get to Atlantis, whose artefacts and tropical riches look bright and stunning. The cast is also charming -- there isn't actually a lot of comic banter, but the energetic personalities of people like Fox and Garner prevent us from noticing. "Atlantis" does not go to the comic extremes of "Aladdin", but it sure doesn't seem as stolid as something like "Pocahontas".

Over the past few years, the family entertainment of new studios has been clearly eclipsing the work of Disney; a picture like DreamWorks' "Shrek" makes the moviemaking giant look like a dinosaur. "Atlantis" seems to have been influenced by another DreamWorks effort, "The Road to El Dorado", which was also an energetic animation about a quest to find a mythical kingdom, and was one of last year's best films. Disney is being kept on its toes, which can only be a good thing.

COPYRIGHT© 2001 Ian Waldron-Mantgani


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