[Image]

[home]   [current reviews]   [review archive]  [ukey say...]   [song of the week]  [retrospectives]
[links]   [frequently asked questions]   [e-mail]


 
 
  
"Big Fat Liar"

  
Big Fat Liar

***

Cinema Releases - June 28, 2002

Rated on a 4-star scale. Certificate PG. USA. 87 minutes. Directed by Shawn Levy. Written by Dan Schneider; from a story by Brian Robbins, Dan Schneider. Starring Frankie Muniz, Paul Giamatti, Amanda Bynes, Amanda Detmer, Donald Adeosun Faison, Sandra Oh, Michael Bryan French.


The kid in "Big Fat Liar" is sort of like a fourteen-year old Ferris Bueller. His name is Jason Shepherd, and he is a master at spinning webs of fibbing to amuse himself and outsmarting adults to have an easier time. He's one of those movie characters who are too smart to take anything seriously except for the pursuit of lightheartedness.

Jason is played by Frankie Muniz, and he uses his expertise on bending the truth to write a short story for English class called (of course) 'Big Fat Liar'. Chance and coincidence let this story go missing and fall into the hands of a scumbag movie producer (Paul Giamatti), who claims the material to be his own and decides to use it as the basis for a high-profile project that should re-boost his career.

Muniz is not happy. He cries foul, but nobody listens; they think he's pulling another fast one. So to gain his father's trust -- and, more importantly, get out of summer school -- Muniz and his girlfriend (Amanda Bynes) decide to sneak a trip to Los Angeles and beat Giamatti at his own game.

"Big Fat Liar" is a good combination of the boy-who-cried-wolf theme and the comic revenge movie, in which the scoundrel gets his comeuppance and we can't help but cackle. There are scams. They involve phoney phonecalls, fast talking, blagging and acting cute. There are pranks. They include dying Giamatti's skin blue, tripping people up, setting up misunderstandings and leading people into traps. I won't go into too much detail; watching the specifics of these set-ups unfold is a major part of the fun.

Giamatti is one helluva villain, sneering insensitive and boorish put-downs through a canine growl and cartoonish eyebrows. The kids also act with intelligence and energy: Muniz is relentless and shameless in his scamming and animated smooth talking, and yet he keeps up a certain sharp likeability. Bynes plays a character cool enough to go along with her buddy's sense of humour and yet mature enough to keep him from going too far. For an example of how perfect she is, look at the scene in which she gets on the phone and imitates the rambling of a Valley Girl secretary; it's nuanced, detailed, sustained and perfectly timed -- a broad gag played with as much grounding, specificity and intelligence as possible.

The movie maybe goes a little too far in its slapstick asides. In the spirit of most movies that sympathise with mischievous kids, the adults are seen in a pretty broad and doofy light, and we get unnecessary shots such as that of Giamatti's secretary hyperactively playing with toy animals and talking to herself without thought. One other small quibble involves the final scene: I'm not sure how the hero captures the villain's final confession, even with twelve 35mm cameras, when he's not recording any sound.

Still, "Big Fat Liar" works. It's crafty, energetic and smart. And the shots involving the kids' Los Angeles sleeping arrangements will play like wish-fulfilment for most movie lovers: They stay in a warehouse in the Universal Studios backlot, sleeping on the "Back to the Future" DeLorean, playing with "E.T." dolls, making exits via the Bates Motel. Too cool.

COPYRIGHT© 2002 Ian Waldron-Mantgani


2002 Reviews (alphabetical)
2002 Reviews (by star rating)

Archive of all cinema reviews (alphabetical)
Review Archive Index

UK Critic main page