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Bounce

***

Rated on a 4-star scale
Screening venue: Odeon (Bromborough)
Released in the UK by Buena Vista International on January 19, 2001; certificate 12; 106 minutes; country of origin USA; aspect ratio 1.85:1

Directed by Don Roos; produced by Michael Beslin, Steve Golin.
Written by Don Roos.
Photographed by Robert Elswit; edited by David Codron.

CAST.....
Ben Affleck..... Buddy Amaral
Gwyneth Paltrow..... Abby Ganello
Tony Goldwyn..... Greg Janello
Alex D. Linz..... Scott Janello
David Dorfmann..... Joey Janello
Natasha Henstridge..... Mimi
Joe Morton..... Jim Willer
Johnny Galecki..... Seth
Jennifer Grey..... Janice Guerrero


"Bounce" is one of those movies whose filmmakers have gone to great lengths to create something genuine and whose ads lead the audience to expect another assembly-line Hollywood product. Along with my joy at the actual movie, I can't help feel anger at the studio for marketing it as a dumb romantic comedy. This is a romantic drama -- which means that, yes, we get to see two people fall in love, but outside the confines of a formula and though emotion rather than easy humour.

The movie begins with ad exec Buddy Amaral (Ben Affleck) giving his airline ticket to a guy whose flight has been cancelled, so he can close the deal with a woman he's been chatting up in the airport bar. The next day Buddy discovers the plane he was supposed to be on has crashed, and the guy who took his seat has left behind a wife and two kids.

Buddy goes into deep depression, emerging from a boozy abyss one year after the crash, determined to follow all twelve steps of the Alcoholics Anonymous program. One of them involves making to amends to everyone he has hurt -- in following this through he also gets the idea to talk to the family of the dead flyer. The man's wife is Abby Janello (Gwyneth Paltrow), a realtor he decides to give some business to, which quickly leads to a friendship, which gradually leads to more, and although Buddy keeps meaning to tell Abby why he came into her life, he keeps getting distracted from the revelation, and the longer things go on, it becomes all the harder to let it out.

The interaction between Buddy and Abby is engaging and genuine -- Buddy has to be amazingly distracted for it to be plausible that he would neglect to mention his secret for so long, so the writer and director, Don Roos, makes damn sure the two characters connect. It's also good to see the way their relationship develops in realistically small stages, edging a tad closer to intimacy with every meeting, instead of the standard Hollywood romance involving a series of endlessly charming encounters that culminate in one dumb scene where it finally occurs to the man and woman that -- wow! -- they're in love! Here are two people who have been through painful times, are more subdued for it, and are not into playing games.

Roos came to prominence with "The Opposite of Sex", an edgy and sarcastic comedy from 1998 that I didn't care for but pretty much everyone else did. The point is that he wasn't the obvious choice to handle this story -- which is good, because it means he gives it more thought than someone obvious would have. The dialogue is sharp, with snappy humour and frank emotion, bringing the characters alive -- we can truly believe these people are in love, and because of the forces of their personalities rather than the requirements of the screenplay.

COPYRIGHT© 2001 Ian Waldron-Mantgani


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