[Image]

[home]   [current reviews]   [review archive]  [ukey say...]   [song of the week]  [retrospectives]
[links]   [frequently asked questions]   [e-mail]


 
 
  
Anthony Hopkins, "Hearts in Atlantis"

  
Hearts in Atlantis

***1/2

Cinema Releases - March 8, 2002

Rated on a 4-star scale. Certificate 12. 101 minutes. Directed by Scott Hicks. Written by William Goldman; from a story by Stephen King. Starring Anton Yelchin, Athony Hopkins, Hope David, Mika Boorem, David Morse, Alan Tudyk.


"Childhood has moments of such magic, such pleasure," remarks the Anthony Hopkins character at one point in this movie. "It feels like what Atlantis must have felt like."

Yes, but Atlantis ended, and so does the simplicity and innocence of childhood -- life gets complex, and you start to realise that disappointment and unfairness does happen, without any particular reason. Ultimately, we all end up somewhat like the character played by David Morse in "Hearts in Atlantis", standing in the present, silently looking back with a thoughtful, rueful smile at what once was.

The movie takes place in a small Virginia town in 1960. Anton Yelchin plays an 11-year old boy whose father is dead and whose mother spends more time at work than at home, and would rather spend money on dresses for herself than on a birthday present for her son. He doesn't want to complain, but can't help feel a little stiffed at getting a library card instead of a bike.

A new lodger arrives for the apartment upstairs, an ageing writer played by Anthony Hopkins with nice manners but a certain whimsical distance. He often sits on the porch taking extra long drags on his cigarette, tilting his head up to the sky and meditatively pondering. And he has spells -- sudden, overpowering turns that make him freeze and look scared, from which he emerges looking a little embarrassed.

The Hopkins character is a fascinating one. He has a way of dealing with Yelchin that seems to know the way an 11-year old thinks and yet does not patronise; he can empathise and understand, while using wisdom to lead. "There's great things to be found in books," he tells him of the library card. "I dunno, kid, maybe something good will come of it. Read some Jules Verne and you'll picture things in a different way."

Hopkins helps Yelchin deal with his mom, helps him realise that he has an attraction to one of his girl buddies ("You'll kiss her, and it'll be the kiss by which all others are measured,") and helps him confront school bullies -- but these things don't come about in a gimmicky way; there's a quietly beautiful friendship going on between the man and the boy, from which journeys happen to emerge.

Running through the background is a thread involving Hopkins's claim that he is being chased by 'Low Men', as the archaic expression goes. They wear dark hats and coats, and are probably after Hopkins because he seems to have some kind of supernatural or telepathic power -- Yelchin is never sure about that until the end of the movie, but the potential presence of the 'Low Men' has a looming menace about it that teaches him some valuable things about how reality can be unreasonable.

"Hearts in Atlantis" is better than "My Dog Skip", a movie with a similarly nostalgic look and feel, because the nostalgia is not emphasised as much -- we're drawn in by the strangeness of the Hopkins character, the otherworldly elements of the story, the truth of the individual characters. The elegiac, reflective mood is treated almost incidentally, letting it earn a reaction naturally. The director, Scott Hicks, does a good job of capturing the point of view of a child -- look at the scene where Hopkins and Yelchin venture into a bar, and reflect that while the camerawork seems to be plain, steady and unobtrusive, the framing is subtly highlighting the largesse of the place, evoking that feeling of awe and curiosity that you get as a kid when you're first allowed to enter a saloon.

The movie is based on a story by Stephen King, who is very good at weaving magic into tender atmosphere, and throwing in bits of musing and symbolism. He did it in "The Green Mile", and does it again here, in a smaller-scale, more low-key piece of storytelling. "Hearts in Atlantis" is a smart, imaginative little oddity.

COPYRIGHT© 2002 Ian Waldron-Mantgani


2002 Reviews (alphabetical)
2002 Reviews (by star rating)

Archive of all cinema reviews (alphabetical)
Review Archive Index

UK Critic main page