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The Rugrats Movie
*
Rated on a 4-star
scale
USA
Directed by Igor Kovalyov and Norton Virgien
Written by J. David Stem and David N. Weiss
CAST.....
The voice of E.G. Daily..... Tommy Pickles
The voice of Christine Cavanaugh..... Chuckie Finster
The voice of Kath Soucie..... Phil DeVille/Lil DeVille
The voice of Cheryl Chase..... Angelica Pickles
The voice of Tara Charendoff..... Dil Pickles
The voice of Melanie Chartoff..... Didi Pickles
The voice of Jack Riley..... Stu Pickles
The voice of Joe Alaskey..... Grandpa Pickles
If you think that recent episodes of the animated
TV programme "Rugrats" have lost the plot, and the show is becoming less
and less funny, you still ain't seen nothin' yet. "The Rugrats
Movie", an uninspired attempt to cash in on "Rugrats" before its
popularity wanes, has not a trace of what made the early episodes of the
cartoon fun, and even at a slight 80 minutes, is a complete waste of
time.
The lame excuse for a plot involves the regular
gang -- Tommy (E.G. Daily), Chuckie (Christine Cavanaugh) and Phil 'n' Lil
(Kath Soucie). Tommy's mother, Didi, gives birth to a new kid, Dil, and when
the other babies take him out for a ride on a toy vehicle, they manage to
get lost far away from their neighbourhood, in a side-road which looks like
a jungle, and is populated by some of the same creatures. Meanwhile, all
their retarded parents panic.
The show was good for several reasons. Firstly,
we discovered small-time adventures from a baby's point of view, and we saw
how simple domestic situations could seem dangerous, or exciting. Secondly,
the glimpses we caught of adults were wonderful satire -- of the stupidest
of middle-class America, and of their stupidest occupations, philosophies
and fads.
"The Rugrats Movie" is totally different from
the series, except for a few bits from old episodes that have been recycled
out of context. It spends too much time with the adults, who are still shown
as irritating half-wits, but not for the purpose of satire, or for any purpose
at all, except to annoy the viewer. And when we are with the kids, so what?
Their adventures are no longer domestic, but in a forest that the "Pulp Fiction"
hitmen would probably not make it out of, and so the novelty and ingenuity
are gone. Even the beginning of the movie, before the kids have gone anywhere,
has a meaningless prologue showing an Indiana Jones-style escape from danger.
Instead of delving into adults' cupboards, or discovering the insects in
the garden, the characters in "The Rugrats Movie" get involved with explosions
and fireballs, clouds of smoke, futuristic hospitals, train crashes, drives
on cliff-edges, truck chases, killer monkeys and a big, dumb musical
number.
This is not just a bad movie, but a totally inept
one -- even in "The Waterboy", a film I despised, I could tell what was intended
to be funny, whereas here I did not have a clue. Does your idea of a good
film have jokes and good timing replaced by big teeth, shouting, whining,
dopey voices, pervasive use of the word 'poop', toddlers in fatal danger
and new-born babies being kidnapped by mangy monkeys? If it does, then perhaps
"The Rugrats Movie" is for you. I found it to be an entertainment-free dead
zone.
COPYRIGHT© 1999 Ian
Waldron-Mantgani
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