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Save the Last Dance

***

Cinema Releases - March 30, 2001

Certificate 12. 113 minutes. Directed by Thomas Carter. Written by Duane Adler, Cheryl Edwards; from a story by Adler. Starring Julia Stiles, Sean Patrick Thomas, Kerry Washington, Fredro Starr, Terry Kinney.


The one movie opening this week that does not involve infidelity is "Save the Last Dance". It covers familiar territory -- young girl moves to the big city and ends up getting over her hard past to make a wonderful achievement in performing arts -- but manages to treat its plot with perfect sincerity and still end up entertaining.

Julia Stiles, the wonderful actress from "Down to You" and "State and Main", plays seventeen-year old Sara, who goes to live with her dad in Chicago after the death of her mother. Mom was killed in a car accident when driving to one of Sara's dance recitals, and in her grief, Sara has vowed never to dance again.

The young heroine finds herself in an almost all-black school, where she develops a friendship with an African-American peer named Chenille (Kerry Washington) and a romance with her brother Derek (Seann Patrick Thomas). The auras of Sara and Derek connect, of course, but they also share high grades, painful backgrounds and a love of music.

Inevitably it all ends up with Derek helping Sara overcome her fear of the stage so she can ace an audition for the Julliard dance school; there are also a couple of sub-plots with generally predictable directions. But the movie is made with textural intelligence; the interracial aspect, for example, never feels tacked on, because the filmmakers don't push it -- they put it there, know it's significant enough to stay in our minds, and don't have to keep pointing it out as an issue. And Julia Stiles is a wonderful female lead -- she has such presence that even in "Down to You", which was a bog-standard teen romance, I noted that "the characters are stupid, all right, but at least they're more convincingly alive than most young folks in American movies". "Save the Last Dance" is a surprisingly effective piece of work.

COPYRIGHT© 2001 Ian Waldron-Mantgani


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