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Some Voices

**

Rated on a 4-star scale
Screening venue: Cornerhouse (Manchester)
Released in the UK by Film Four on August 25, 2000; certificate 15; 101 minutes; country of origin UK; aspect ratio 1.85:1

Directed by Simon Cellan Jones; produced by Graham Broadbent, Damian Jones.
Written by Joe Penhall; based on his play.
Photographed by David Odd; edited by Ellen Pierce Lewis.

CAST.....
Daniel Craig..... Ray
David Morrissey..... Pete
Kelly Macdonald..... Laura
Julie Graham..... Mandy
Peter McDonald..... Dave


Ray has dizzy spells. At random points in conversations he becomes aggressive and incoherent. He often acts more childishly than a woman scorned, bringing up old issues, using them as nonsensical backup for anger. He can behave himself and carry on normal, even intelligent, conversations -- you just don't know when he's going to fly off the handle. He doesn't like taking his medication. It gives him the shakes.

It is rare to see mental illness in cinema, rarer still to get good portrayals, and some kind of miracle to get a character like Ray, who is perhaps the most convincing schizophrenic character I've ever seen in a movie. Psychologically disturbed people are all around us. Most of us will at some point see loved ones drift somewhere away from total sanity. And they aren't likely to be slapping themselves in the face or screaming like Jim Carrey in "Me, Myself & Irene".

"I wanted the character to be as normal as possible and the illness to creep up on him," says Daniel Craig, the star of "Some Voices", whose work deserves an Oscar nomination. "My aim was for people to see Ray as a normal person, albeit a bit strange, and then to realise he is sick." Exactly right. The opening stretches of this film are fascinating, as we see Ray come out of hospital, try to maintain a meaningful relationship with his responsible brother Pete (David Morrissey), and struggle in his ongoing attempt to balance his ups and downs.

Then "Some Voices" becomes intent on disappointing us. Its early scenes are character based, and since it has a great main character, the potential is there for great cinema. Instead, Joe Penhall's screenplay gets involved in the pointless particulars of a romance between thirtysomething Ray and a younger women named Laura (Kelly Macdonald), boring family histories, and various other frivolity. It all ends in a silly sentimental dilemma involving a near miss with an explosion, reconciliation between siblings and a lot of melodramatic speechmaking. We also get a perplexing scene in a mental hospital that seems to have zero patients, only one orderly, and facilities that make it look like the cushiest imaginable university halls of residence.

Craig, as I've said, is terrific, but alongside him, Kelly Macdonald reels off her lines with amateurish trepidation instead of emotion. Everything she says comes out flat, in such unsure tones that she sounds like she's asking questions. Watching her is akin to cringing at a rehearsal for a high school play and finding that the gesture doesn't aid catharsis. Daniel Morrissey, as Ray's brother, is left out on a limb after his strong early moments -- the director doesn't know whether to make him a main or side character, and so the actor doesn't know how to perform.

"Some Voices" is a big letdown. For its duration I kept thinking of how the plot of "The Verdict" was a perfect metaphor for its protagonist's struggle with alcoholism; and other movies about sad characters crossed my mind, like "Shine" and "The Conversation". Why does this one feel the need to go into autopilot and plug a brilliantly conceived character into soap opera?

COPYRIGHT© 2000 Ian Waldron-Mantgani


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