The Flintstones in Viva Rock Vegas
*1/2
Rated on a 4-star
scale
Screening venue: Odeon (Manchester)
Released in the UK by UIP on July 28, 2000; certificate U; 90 minutes; country
of origin USA; aspect ratio 1.85:1
Directed by Brian Levant; produced by
Bruce Cohen.
Written by Jim Cash, Jack Epps Jr., Harry Elfont,
Deborah Kaplan.
Photographed by Jamie Anderson; edited by Kent
Beyda.
CAST.....
Mark Addy..... Fred Flintstone
Stephen Baldwin..... Barney Rubble
Kristen Johnston..... Wilma Slaghoople
Jane Krakowski..... Betty O'Shale
Thomas Gibson..... Thomas Rockefeller
Joan Collins..... Pearl Slaghoople
Alex Meneses..... Roxie
Alan Cumming..... Gazoo/Mike Jagged
Now I've seen it all. Here is a movie about prehistoric
characters with a framing device involving a midget green alien named Gazoo.
He's a special effect with the face and voice of Alan Cumming, an actor who
plays a human character in the movie also, even though he and Gazoo have
no connection.
Are you getting this? I didn't. But "The
Flintstones in Viva Rock Vegas" is so inane and tacky at every level,
from such an early stage, that at no point are we disappointed by any of
its wrong turns. It's very easy to sit through despite being dreadful, because
it's colourful, you can let it fly past you, and every now and again you
just gotta laugh -- the kind of laughter that comes out as shocked gasping,
and you shake your head at the same time.
The movie is not a sequel to director Brian Levant's
1994 "The Flintstones", that big-budget adaptation of the famous Hanna-Barbera
cartoon show about a "modern stone-age family". It's a prequel, taking place
when Fred Flintstone, Barney Rubble, Wilma Slaghoople and Betty O'Shale were
all single. The screenplay uses incredibly laborious plotting to introduce
the guys and gals -- Gazoo, determined to find information on human mating
rituals, has to play matchmaker, despite being invisible to everyone except
Fred and Barney. At least it's a break from the standard Hollywood Meet
Cute.
Fred is played by Mark Addy, the chunkiest of
the guys from the great 1997 comedy "The Full Monty". He wears a dopey, forced
grin throughout this movie, and his accent is the kind that your mates put
on when drunk and trying to imitate television characters. It sounds like
his teeth have been clamped shut while he simultaneously suppresses giggles
and strains on the toilet. Stephen Baldwin, as Barney, acts as if the "South
Park" movie was a true story, and he and his brothers really did have bombs
dropped on their heads. If you want to know how someone appears after a bad
day at the dentist's and the brain surgeon's, check his performance out --
it features a permanently dropped jaw, glazed eyes, and the voice I imagine
a Down's Syndrome patient would have while being suffocated with a
pillow.
Puns are said to be the lowest form of humour.
"The Flintstones in Viva Rock Vegas" is littered with them. The title has
one. All the characters' surnames are tacky references to forms of granite.
There is a musical group in the movie called Mick Jagged and the Stones.
A rich playboy named Thomas Rockefeller. Every line of dialogue squeezes
in a corny reference. To be fair, the original show was just as shameless,
but the fact that it looked cute in cartoon form gave it a certain charm,
so there you go.
Am I recommending the movie for children? No,
because it's not very good, and as such I won't urge anybody to see it. I
guess it's harmless enough if you have nothing else to do with the tots.
Usually I object to "Come on, it's just for kids" as an excuse for bad films,
because young people, who soak information into their brains like sponges,
deserve quality entertainment more than anyone else. Dross such as "The Rugrats
Movie" and "Stuart Little", for reasons I stated in my reviews, are more
than just frivolous and verge on the damaging. "The Flintstones in Viva Rock
Vegas" is exempt from that kind of criticism. It's just too dumb to deserve
praise.
COPYRIGHT© 2000 Ian
Waldron-Mantgani
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