The
Bill
The whole of British film culture, set in type — and yours to sift.
Reviews, features and essays on the films, the film-makers and the cinema-going life — surfaced through an index you actually browse, not a feed you scroll. A critic with a point of view, not a listings desk. Start with today's bill, then go digging.
The Front Page

Aftersun, and the Ache of a Remembered Holiday
Charlotte Wells turns a Turkish package holiday into an act of quiet devastation — and announces a film-maker of rare emotional precision.
Under the Skin at Ten: The Film That Made Scotland Alien
The eerie, formally radical film that used real Glasgow streets — and stayed under the skin.
The Red Shoes, Restored
Powell & Pressburger's Technicolor ballet melodrama still overwhelms — and a restoration recovers what time dimmed.
The Kitchen Sink Never Emptied: From Loach to Arnold
British social realism, unbroken from the Free Cinema shorts through Ken Loach to Andrea Arnold.
In Praise of the Flea-Pit
Britain's independent and repertory picture houses — and why the small screen in a shabby room still matters.
The signature — the Reading Room
Everything, indexed
The complete run of UK Critic — every review, feature and essay in one browsable index. Filter by era, kind and section, sort it, or search. The full list is here for the crawlers; the filtering is for you.
Nothing on the bill for that. Try another cut.
Fifteen pieces and counting · the reviews carry a light star mark; the features and essays don't.
Going to the Pictures
The Economics of a Ticket
What you actually pay to sit in the dark, where the money goes, and whether the price of British cinema-going is sustainable.
The Screening for Everyone
Accessible and autism-friendly screenings — how cinemas are opening the dark to everyone, and why it matters.
Cinema's Virtual Reality Gamble
VR promises to put audiences inside the scene, not in front of it — but cost, motion sickness and thin content stand between the format and British picture houses.
Watchlist
What to Seek Out
In the Credits
With thanks — the names in small type who keep the presses running
A hand-set roll of the picture houses, archives and imprints we're glad to sit alongside — set in our own type.














